Abstractions is a abstract and non-narrative sequence of audiovisual electroacoustic compositions made from digital pictures and video. The work is a suite of animated paintings. "Life" is instilled in these still images by motion, animation, layered images and music. The music is a hybrid between experimental electronic music, ambient, minimalist, repetitive and concrete. The work reflects a questioning on the stakes of this synergistic and synaesthetic art, time, space, movement, light and intensity. Reflection is also made about the meaning and reception of such work, both at the cognitive and esthetic level. The relationship between sound and images are the essence of creative project.

Cross Canada is a spontaneous creation, the remnant of a trip across Canada and the United States in summer 2005. The contradicting relationship between accelerated images and the slow pacing of the music creates an antithesis that evokes the beauty and desolation of the great Canadian and American territory.

Nord/Sud is a figurative audiovisual composition who represent the nature and the survival instinct with anxiety, tension and nostalgia. The work evolves from microscopic to macroscopic and follow the links of the food chain. The images were taken during winter in Costa Rica, Mexico and Quebec. The music is made from field recording, prepared piano, bowed cymbal and synthesis.

Animation is a triptych of abstract animated drawings. Although the animation techniques are different, they were all created «frame by frame» (24 images per second).

Portrait of a woman is an abstract videomusic composed of close-ups and macroscopic images of a woman. The spawning heterogeneous images of the woman along with the sound/vision relationship reveal the complexity of her personality.

Dandelion is an audiovisual study inspired by Norman McLaren and other innocent memories of my childhood.

Speed (Car Incident) is an audiovisual study based on rhythm, movement and speed. The images are taken from a car during a trip across Canada.