Electro-Experimental Music. Recorded Live on Octobre 10, 2009 at La Brique, Montreal.

Je me souviens was composed as a tribute to Canadian composer of Hungarian origin, Istvan Anhalt. The piece premiered in April 2, 2009 in Montreal, at the concert Je me souviens 2.1 Tribute to Istvan Anhalt.

Cycles is an expressionist acousmatic piece. This minimalist and repetitive piece of measured music is structured in 10 parts. The cyclic revolution is conceived with microsounds, which are accumulated, repeated and granulated by the mediation of microloops. A germ of life is growing into a cold mechanical device: the chaos is claiming is place in this impassive system.

Extented & reedited version of Untitled

Recorded Live on July 7, 2007 at the multidisciplinary event Chantier Libre @ Freeland, Montreal.

Recorded Live on July 7, 2007 at the multidisciplinary event Chantier Libre @ Freeland, Montreal.

Recorded Live on July 7, 2007 at the multidisciplinary event Chantier Libre @ Freeland, Montreal.

Recorded Live on July 7, 2007 at the multidisciplinary event Chantier Libre @ Freeland, Montreal.

[pjanistik] is designed exclusively from the sounds of the soundboard of a prepared piano. The writing technique is guided by the arrangement, manipulation and alteration of the piano.

This expressionist acousmatic piece is entirely made from harpsichord and birds sounds. Its fractured structure goes through different mutations and ambiances. The development is guided by the harpsichord fragments, which were played and recorded directly on the soundboard of the instrument as if it was a harp, a guitar or a berimbau. The composition was finally made with a virtual sampler and electronic manipulations.

Transmission is coming to you refers to the rhythm of respiration, heartbeat / tachycardia, it draws on the dual state of excitement and anxiety, claustrophobia and large spaces. The aesthetics is cold and clinical. The sound sources are a human breath, a Tibetan bell, a metal fence, a culinary whisk, an electric guitar-bow and the voice of a cosmonaut.

Set is an electro acoustic study based on a simple question from a mother to her young son, « What does 4 times 2 make ?». ».

Electro experimental composition. Made from a unique source, a Tibetan bell.

«Krautrock» inspired improvisation performed and recorded at the SAT with musicians Nihil, Pigma and Alex Sender.

DistHarmo sans nature was originally Distortion harmonique d'un mardi après midi. The original version includes a bird in cage (who died in the same day) & the rain falling during the recording... The Electronic part of the piece is made from a «hum» coming from a unconnected cable & transformed by a series of electronic treatment devices.

audio-sculpture exp. Electro-experimental-industrial music. Recorded Live at Bar L'Underground, Quebec.

audio-sculpture exp. Electro-experimental-industrial music. Recorded Live at Bar L'Underground, Quebec.

audio-sculpture exp. Electro-experimental-industrial music. Recorded Live at Bar L'Underground, Quebec.

audio-sculpture exp. Electro-experimental-industrial music.

audio-sculpture exp. Electro-experimental-industrial music.

audio-sculpture exp. Electro-experimental-industrial music.

audio-sculpture exp. Electro-experimental-industrial music.